Minggu, 17 Januari 2016

Free PDF The Fundamentals of Hogan, by David Leadbetter

Free PDF The Fundamentals of Hogan, by David Leadbetter

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The Fundamentals of Hogan, by David Leadbetter

The Fundamentals of Hogan, by David Leadbetter


The Fundamentals of Hogan, by David Leadbetter


Free PDF The Fundamentals of Hogan, by David Leadbetter

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The Fundamentals of Hogan, by David Leadbetter

Amazon.com Review

In the late 1950s, the great Ben Hogan consolidated his considerable knowledge of the golf swing into a small volume called Five Lessons: The Modern Fundamentals of Golf. Nearly half a century later, it remains the cornerstone of every intrepid hacker's instructional library, and one of the bestselling sports books of all time. But there was always something missing from its pages: photos. As marvelous as artist Anthony Ravielli's accompanying drawings of Hogan were, they weren't the same as seeing the Wee Icemon himself in action. Surprise! Ravielli modeled those drawings on several rolls of film he took of Hogan, and those photos, recently discovered, are the heart of The Fundamentals of Hogan. For golfers, they are like finding a piece of the true cross; there has never been a more perfect swing than Bantam Ben's. If some of the pictures in Fundamentals are just explanatory poses--Hogan gripping the club, Hogan standing at address--and the majority of the swing sequences are actually not true sequences at all but, given the technology of the time, individually posed photos at appropriate intervals of the swing, no matter. They convey what they need to, providing a closer glimpse of the master's mastery. Swing guru David Leadbetter tees up the accompanying text, analyzing Hogan's swing, parsing Hogan's swing theories, and adapting what Hogan knew to fit the rest of us. Leadbetter knows most of us can't possibly re-create the effortless power of Hogan's fluidity, but that doesn't mean we can't incorporate bits of Hogan's technique into our own herky-jerky hacks. Like Hogan, Leadbetter is obsessed with golf's mechanics, and while Hogan managed to breeze through Five Lessons with the help of the splendid writer Herbert Warren Wind, Leadbetter often gets mired in the kinds of technicalities that lead to the "paralysis by analysis" that plagues over-thinkers when they step up to the ball. Still, the team of Hogan and Leadbetter makes a twosome you can't help but learn from if you're willing to pay attention. --Jeff Silverman

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From Booklist

Ben Hogan's Five Lessons (1957) remains one of the most influential golf instructionals ever published. Anthony Ravielli's drawings illustrated the original work, but he also took numerous photographs of Hogan's swing; now those photos have been rediscovered and combined with text by contemporary teaching legend Leadbetter. The result is a kind of updating of the classic Hogan swing philosophy, with Leadbetter using the photos to analyze Hogan's theories. The idea of a book showing where the immortal Hogan went wrong may well offend purists. It shouldn't. What Leadbetter does here is put Hogan's words in a contemporary context, taking into account not only modern equipment but also, more importantly, the needs of the average golfer. Applied literally by middle to high handicappers, Hogan's swing secrets, Leadbetter argues persuasively, might very well produce disaster rather than improvement. Still, despite the good sense Leadbetter makes throughout, many readers will find themselves wishing Hogan had an opportunity to answer back. For anyone interested in the complex architecture of the golf swing, Leadbetter on Hogan makes essential reading. Bill OttCopyright © American Library Association. All rights reserved

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Product details

Hardcover: 144 pages

Publisher: Doubleday; First Printing edition (November 7, 2000)

Language: English

ISBN-10: 0385502109

ISBN-13: 978-0385502108

Product Dimensions:

8.1 x 0.5 x 10.2 inches

Shipping Weight: 1.5 pounds

Average Customer Review:

4.3 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#587,624 in Books (See Top 100 in Books)

Leadbetter is of course one of the most famous instructors in the world of golf, ever. Here he takes Hogan's book "Five Lessons," which he and pretty much everybody relevant considers to be the foundational touchstone of modern golf swing instruction, and illustrates some slight modifications to consider for the average player. One must remember that Hogan himself was, although not a "big" man in physical stature, was truly an extraordinary athlete with a body molded meticulously for golf, and Hogan made his swing for himself specifically... which doesn't negate its power as THE fundamental swing, but not everybody has the twist, the thumbs, etc., that Hogan had.So, yes, the Leadbetter book gave me "permission" to modify slightly to fit my own body and has been an extremely valuable aid, but it is NOT a replacement for Hogan. Hogan's book should be digested FIRST, and then reviewed under Leadbetter's guidance.

Worth it for the pics alone. David leadbetter has some great tips in here on how to adjust the grip. Where Hogan wanted the user to experiment from his base of knowledge, Leadbetter does a better job of explaining how changes may change your swing. Example - He assumes Hogan lined his left thumb up parallel to club face and kept a short thumb to compensate for his known draw/hook. He explains that a stronger grip might be better for the average player with a tendancy to fade/slice. Then there are drills he ads to help the reader. Pics of Hogan are the prime benefit to this book. The illistrations from 5 fundementals were good, the pictures are great!!

This is an indepth analysis and interpretation of Hogan's perspective of the golf swing by the best modern teacher alive today. Leadbetter's view clarifies and adjusts Hogan's teachings to modern times eloquently. This book is not for the faint of heart wishing to better understand the essential and detailed bio-mechanics of the golf swing. I would suggest his other books and/or DVD's to get started.With respect, I disagree with Mr. Leadbetter's thoughts on Hogan's own hooking remedies, his grip changes and the "secret" cupping of the wrist to open the club face at the top. Early in Hogan's career he had an extremely long backswing, prompted by an extremely long hip turn. The result coming down was a very active lower body to compensate for a latent upper body. The club face would arrive from the outside and closed causing the snap-hook under pressure he hated. As his swing became more compact he was able to control it's action much better. D.L. touches on this but emphasizes the different grip and the wrist cupping as Hogan's "cure".I also disagree with D.L.'s thoughts on moving the head back laterally with longer clubs. It's OK as long as it returns to the same position at address. Just another unnecessary variable IMHO. The head is the fulcrum of the swing. Keep it there.Don't buy this thinking you'll find "lightening in a bottle". The golf swing takes study, focus and discipline to learn how to properly execute. As Hogan believed, anyone can break 80, even if they devote one-tenth the time he did to being one of the greatest students of the swing and players of all time.

Hogan is my hero. very complicated, but worth every penny. anything that I could get from Hogan is worth the price.

This a fantastic book for pictures of Hogan demonstrating his swing techniques taken for the illustrations in the "Five Lessons". Leadbetter makes a very detailed analysis of Hogan's swing and some interesting observations between what Hogan said in his book and how he actually swung. A must for every Hogan fan.However, as soon as Leadbetter starts giving his own "My Views", watch out. In "The Plane Truth for Golfers", Jim Hardy differentiates between the one plane (Hogan, Snead) and the two plane (Leadbetter). All of Leadbetter views on how to improve on Hogan's swing are two plane ideas which Hardy points out are disastrous for the one plane swing. Read Five Lessons and this book for Hogan's swing and forget all the sections labelled "My Views" or you will be swinging the golf club like David Leadbetter, not like Ben Hogan!5 stars for Ben Hogan; 3 stars for David Leadbetter.

great book

Fantastic book with very descriptive pictures :) HOGAN is also a LEGEND

After reading Ben Hogan five lessons this book only added to the developement of Hogan's theories about the proper swinging of the golf club and brought it up to date.

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Sabtu, 16 Januari 2016

Free Download The Clean House and Other Plays, by Sarah Ruhl

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The Clean House and Other Plays, by Sarah Ruhl


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The Clean House and Other Plays, by Sarah Ruhl

About the Author

Sarah Ruhl received the prestigious Susan Smith Blackburn Prize in 2004 for her play "The Clean House," which has been produced at Yale Repertory Theatre in New Haven, Wilma Theatre in Philadelphia, South Coast Repertory Theatre in Costa Mesa, and Woolly Mammoth Theatre Company in Washington, DC. Her play Eurydice has been produced at Madison Repertory Theatre and Berkeley Repertory

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Product details

Paperback: 436 pages

Publisher: Theatre Communications Group; First Edition (stated) edition (January 1, 2006)

Language: English

ISBN-10: 9781559362665

ISBN-13: 978-1559362665

ASIN: 1559362669

Product Dimensions:

5.4 x 1 x 8.5 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

39 customer reviews

Amazon Best Sellers Rank:

#68,039 in Books (See Top 100 in Books)

Before Sarah Ruhl was a playwright, she was a poet. This is not a great surprise. I mean, just look at the format, imagery and dialogue found in The Clean House and Other Plays. This is drama, yeah, but it is drama that even contains poetic line-breaks!:I feel I can deposit my painright there--like a coin, into a hole.(from Melancholy Play, page 236)In a March 2008 New Yorker interview, Ruhl calls herself "a fabulist." She is someone whose characters build rooms of string and travel in raining elevators (Euridyce). In another story, Ruhl echoes Monty Python's idea of jokes that can kill--only hers are used as mercy killings (The Clean House). Ruhl's lesbian cowboy seems natural riding imaginary horses in Pittsburgh (Late: A Cowboy Song); and watch where you step, because the depressed are turning into almonds at almost every turn! (Melancholy Play)The experience of reading plays is a different one from that of reading other fiction or non-fiction works. Plays stretch the mind to consider subjects such as lighting, sound, and props. As a list given here, such material might be perceived as mundane and dull. In Sarah Ruhl's hands, they become magic. A lack of narrative and the addition of technical details doesn't mean that the nuances of emotion are left behind as something only the actors can manage. Tears, real tears, are no doubt regularly shed as Ruhl's readers feel the beautiful emotional-roller coaster moments on these pages: the strong father-daughter bond and ridiculousness of new romance in Euridyce; the love for parents and heartbreaking compassion of The Clean House; the true and false loves of Late: A Cowboy Song; and the sweet disorder of Melancholy Play.Ruhl's characters are full of wonderfully playful, bizarre contradictions: For example, the psychiatrist in Melancholy Play, LORENZO THE UNFEELING, takes every opportunity to enlighten the people he comes in contact with to the sad, tragic details of his childhood and to the fact that he not only feels, but has gone completely overboard, falling in love with his melancholy patient, Tilly. A Brazilian housekeeper detests housekeeping, and longs to be a comedian. A woman is irresistible to all men when she is miserable, but the moment she finds happiness, the world shifts and almost no one can stand her any longer.Perhaps most fun of all reading a Sarah Ruhl play are the stage notes, which one would never have the opportunity to enjoy if sitting in the audience and watching the thing. In Melancholy Play, for example, Ruhl has notes about the casting.Frances and Frank, we learn later in this play, are twins. However, in the world of this play, there is no need for twins to resemble each other. If your Frances and Frank look nothing alike, simply change this line on page 315: "TILLY: My God! You look exactly like her!" to "TILLY: My God! You look nothing like her!" or even: "TILLY: My God! You look a little bit like her!"The Clean House and Other Plays is a collection of silly, enchanting and weird stories that, despite their oddness and impossibilities, still hold the ring of truth. Ruhl writes in a way that is so human it is impossible not to be moved. Having never seen a Sarah Ruhl play produced, this writer can tell you that it's not the least bit necessary to enjoy this book. It stands on its own as a great piece of literature.This review first appeared on Night Times.

I read every single play in this collection and I was laughing my ass off in all of them! I honestly thought that "The Clean House" would be my favorite (it was the play I bought the collection for) but The Melancholy Play is just so weird and awesome, I enjoyed it so much! I've also read other works by Sarah Ruhl (A Dead Man's Cell Phone) and have come to really enjoy her work. Her voice is so incredibly unique and funny. I sometimes read the plays with my friends, all of us getting a kick out of the wonderfully crafted dialogue and characters.

Reading the work of Sarah Ruhl is, as reviewers before me have endeavored to point out, much like falling in love. It is, at times, highly surreal and gripping in a way that escapes logical reason. Her plays retain the air of the modern, but there is a very old, familiar quality lurking just at the peripheral edges of written consciousness.Her plays are penned in the manner of transcribed dreams; filled with shifting imagery and and skewed perspectives that hit right at the heart, yet still contain an air of the delightfully absurd.Take, for instance, her updated tale of love, "Eurydice"."Eurydice" is a refreshed version of the ancient greek Orpheus myth, telling the story of a dreamy, absorbed musician the literary-minded wife as they span the breadth between the worlds. We are clearly reading the tale of two adults, yet they are characterized with an almost childishly overzealous approach to love, forgetfulness, life and death. Emotions range from startlingly neutral to forcefully passionate in an instant, keeping the audience swept up in her tempestuous story-telling from start to finish while hardly taking a breath.Sarah Ruhl manages to be in the vanguard without being preachy. She manages modern surrealism without losing touch with her audience, keeping everything carefully bound together with a tender red-thread of a true artist. Throughout every literary journey, she takes you gleefully by the hand and drags you down her own personal rabbit hole (for truly, her work does have a certain delightfully obscure Lewis Carroll feel to it). This particular book is a marvelous anthology of her plays (although I DO wish it could have included Dead Man's Cell Phone).

It's very nice to have a collection of Sarah Ruhl's plays at my disposal. From what I've read so far, her work is wonderful. I've done some makeup designs and monologues from Eurydice and love the style of it. Melancholy Play was also wonderful when I saw it live.--quirky, happily dramatic, and thought-provoking. Can't wait to read some more of her works and I hope to see some of these productions live soon as well.

Discovered Sarah Ruhl by chance and I can now say she's probably one of my favorite playwrights. I've only read Melancholy Play and Eurydice so far, but I'm looking forwards to finishing it all!

These plays are fantastic and certainly worth taking the time to read and enjoy. Sarah Ruhl's ability with words is amazing. She is as much a poet as she is a playwright. Eurydice remains one of my all time favorites. If you love theater, love reading, or just love words, do yourself a favor and pick this up.

Sarah Ruhl is one of the finest contemporary playwrights. She uses modern idioms and thought patterns to address classes human dilemmas. Don't miss her!

I needed to learn a scene from The Clean House for my acting class and I needed it right away. I went to Amazon, ordered the script, and received it in plenty of time to become familiar enough with it to perform it in class with a scene partner. Thanks, Amazon.com for providing such good service.

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Jumat, 15 Januari 2016

Ebook Download Vintage Hollywood Posters IV

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Product details

Paperback

Publisher: Bruce Hershenson (June 1, 2001)

Language: English

ISBN-10: 1887893490

ISBN-13: 978-1887893497

Product Dimensions:

8.5 x 0.5 x 10.8 inches

Shipping Weight: 13.3 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,567,729 in Books (See Top 100 in Books)

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