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The Clean House and Other Plays, by Sarah Ruhl

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About the Author

Sarah Ruhl received the prestigious Susan Smith Blackburn Prize in 2004 for her play "The Clean House," which has been produced at Yale Repertory Theatre in New Haven, Wilma Theatre in Philadelphia, South Coast Repertory Theatre in Costa Mesa, and Woolly Mammoth Theatre Company in Washington, DC. Her play Eurydice has been produced at Madison Repertory Theatre and Berkeley Repertory

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Product details

Paperback: 436 pages

Publisher: Theatre Communications Group; First Edition (stated) edition (January 1, 2006)

Language: English

ISBN-10: 9781559362665

ISBN-13: 978-1559362665

ASIN: 1559362669

Product Dimensions:

5.4 x 1 x 8.5 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

39 customer reviews

Amazon Best Sellers Rank:

#68,039 in Books (See Top 100 in Books)

Before Sarah Ruhl was a playwright, she was a poet. This is not a great surprise. I mean, just look at the format, imagery and dialogue found in The Clean House and Other Plays. This is drama, yeah, but it is drama that even contains poetic line-breaks!:I feel I can deposit my painright there--like a coin, into a hole.(from Melancholy Play, page 236)In a March 2008 New Yorker interview, Ruhl calls herself "a fabulist." She is someone whose characters build rooms of string and travel in raining elevators (Euridyce). In another story, Ruhl echoes Monty Python's idea of jokes that can kill--only hers are used as mercy killings (The Clean House). Ruhl's lesbian cowboy seems natural riding imaginary horses in Pittsburgh (Late: A Cowboy Song); and watch where you step, because the depressed are turning into almonds at almost every turn! (Melancholy Play)The experience of reading plays is a different one from that of reading other fiction or non-fiction works. Plays stretch the mind to consider subjects such as lighting, sound, and props. As a list given here, such material might be perceived as mundane and dull. In Sarah Ruhl's hands, they become magic. A lack of narrative and the addition of technical details doesn't mean that the nuances of emotion are left behind as something only the actors can manage. Tears, real tears, are no doubt regularly shed as Ruhl's readers feel the beautiful emotional-roller coaster moments on these pages: the strong father-daughter bond and ridiculousness of new romance in Euridyce; the love for parents and heartbreaking compassion of The Clean House; the true and false loves of Late: A Cowboy Song; and the sweet disorder of Melancholy Play.Ruhl's characters are full of wonderfully playful, bizarre contradictions: For example, the psychiatrist in Melancholy Play, LORENZO THE UNFEELING, takes every opportunity to enlighten the people he comes in contact with to the sad, tragic details of his childhood and to the fact that he not only feels, but has gone completely overboard, falling in love with his melancholy patient, Tilly. A Brazilian housekeeper detests housekeeping, and longs to be a comedian. A woman is irresistible to all men when she is miserable, but the moment she finds happiness, the world shifts and almost no one can stand her any longer.Perhaps most fun of all reading a Sarah Ruhl play are the stage notes, which one would never have the opportunity to enjoy if sitting in the audience and watching the thing. In Melancholy Play, for example, Ruhl has notes about the casting.Frances and Frank, we learn later in this play, are twins. However, in the world of this play, there is no need for twins to resemble each other. If your Frances and Frank look nothing alike, simply change this line on page 315: "TILLY: My God! You look exactly like her!" to "TILLY: My God! You look nothing like her!" or even: "TILLY: My God! You look a little bit like her!"The Clean House and Other Plays is a collection of silly, enchanting and weird stories that, despite their oddness and impossibilities, still hold the ring of truth. Ruhl writes in a way that is so human it is impossible not to be moved. Having never seen a Sarah Ruhl play produced, this writer can tell you that it's not the least bit necessary to enjoy this book. It stands on its own as a great piece of literature.This review first appeared on Night Times.

I read every single play in this collection and I was laughing my ass off in all of them! I honestly thought that "The Clean House" would be my favorite (it was the play I bought the collection for) but The Melancholy Play is just so weird and awesome, I enjoyed it so much! I've also read other works by Sarah Ruhl (A Dead Man's Cell Phone) and have come to really enjoy her work. Her voice is so incredibly unique and funny. I sometimes read the plays with my friends, all of us getting a kick out of the wonderfully crafted dialogue and characters.

Reading the work of Sarah Ruhl is, as reviewers before me have endeavored to point out, much like falling in love. It is, at times, highly surreal and gripping in a way that escapes logical reason. Her plays retain the air of the modern, but there is a very old, familiar quality lurking just at the peripheral edges of written consciousness.Her plays are penned in the manner of transcribed dreams; filled with shifting imagery and and skewed perspectives that hit right at the heart, yet still contain an air of the delightfully absurd.Take, for instance, her updated tale of love, "Eurydice"."Eurydice" is a refreshed version of the ancient greek Orpheus myth, telling the story of a dreamy, absorbed musician the literary-minded wife as they span the breadth between the worlds. We are clearly reading the tale of two adults, yet they are characterized with an almost childishly overzealous approach to love, forgetfulness, life and death. Emotions range from startlingly neutral to forcefully passionate in an instant, keeping the audience swept up in her tempestuous story-telling from start to finish while hardly taking a breath.Sarah Ruhl manages to be in the vanguard without being preachy. She manages modern surrealism without losing touch with her audience, keeping everything carefully bound together with a tender red-thread of a true artist. Throughout every literary journey, she takes you gleefully by the hand and drags you down her own personal rabbit hole (for truly, her work does have a certain delightfully obscure Lewis Carroll feel to it). This particular book is a marvelous anthology of her plays (although I DO wish it could have included Dead Man's Cell Phone).

It's very nice to have a collection of Sarah Ruhl's plays at my disposal. From what I've read so far, her work is wonderful. I've done some makeup designs and monologues from Eurydice and love the style of it. Melancholy Play was also wonderful when I saw it live.--quirky, happily dramatic, and thought-provoking. Can't wait to read some more of her works and I hope to see some of these productions live soon as well.

Discovered Sarah Ruhl by chance and I can now say she's probably one of my favorite playwrights. I've only read Melancholy Play and Eurydice so far, but I'm looking forwards to finishing it all!

These plays are fantastic and certainly worth taking the time to read and enjoy. Sarah Ruhl's ability with words is amazing. She is as much a poet as she is a playwright. Eurydice remains one of my all time favorites. If you love theater, love reading, or just love words, do yourself a favor and pick this up.

Sarah Ruhl is one of the finest contemporary playwrights. She uses modern idioms and thought patterns to address classes human dilemmas. Don't miss her!

I needed to learn a scene from The Clean House for my acting class and I needed it right away. I went to Amazon, ordered the script, and received it in plenty of time to become familiar enough with it to perform it in class with a scene partner. Thanks, Amazon.com for providing such good service.

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